The Glow, 2020, acrylic on canvas mounted on two wood panels, polyester rope, 47.3 × 24 in. (120 × 61 cm)
The Glow, 2020, acrylic on canvas mounted on two wood panels, polyester rope, 47.3 × 24 in. (120 × 61 cm)
The Glow, 2020 (detail)
The Glow, 2020 (detail)
(left) The Glow, 2020, acrylic on canvas mounted on two wood panels, polyester rope, 47.3 × 24 in. (120 × 61 cm); (right) Entrapment, 2021, acrylic on four canvas wrapped wood panels, polyester rope, polyester thread, 31.5 × 31.5 in. (80 × 80 cm)
(left) The Glow, 2020, acrylic on canvas mounted on two wood panels, polyester rope, 47.3 × 24 in. (120 × 61 cm); (right) Entrapment, 2021, acrylic on four canvas wrapped wood panels, polyester rope, polyester thread, 31.5 × 31.5 in. (80 × 80 cm)
Entrapment, 2021, acrylic on four canvas wrapped wood panels, polyester rope, polyester thread, 31.5 × 31.5 in. (80 × 80 cm)
Entrapment, 2021, acrylic on four canvas wrapped wood panels, polyester rope, polyester thread, 31.5 × 31.5 in. (80 × 80 cm)
Entrapment, 2021 (detail)
Entrapment, 2021 (detail)
(left) Insomnia, 2020, acrylic on canvas stretched over wood panel, leather cord, 47 × 31.5 in. (119.5 × 80 cm); (right) The Glow, 2020, acrylic on canvas mounted on two wood panels, polyester rope, 47.3 × 24 in. (120 × 61 cm)
Insomnia, 2020, acrylic on canvas stretched over wood panel, leather cord, 47 × 31.5 in. (119.5 × 80 cm)
Insomnia, 2020 (detail)
Insomnia, 2020 (detail)
(left) Entrapment, 2021, acrylic on four canvas wrapped wood panels, polyester rope, polyester thread, 31.5 × 31.5 in. (80 × 80 cm); (right) Insomnia, 2020, acrylic on canvas stretched over wood panel, leather cord, 47 × 31.5 in. (119.5 × 80 cm)
(left) Let me talk, 2020, acrylic on canvas stretched over wood panels, metal hinge, 22.2 × 22.4 in. (56.4 × 56.9 cm); (right) New Normal, 2020, acrylic on canvas stretched over wood panel, 43.4 × 20 in. (110.2 × 50.8 cm)
Let me talk, 2020, acrylic on canvas stretched over wood panels, metal hinge, 22.2 × 22.4 in. (56.4 × 56.9 cm)
Let me talk, 2020 (detail)
Let me talk, 2020 (detail)
Let me talk, 2020 (detail)
New Normal, 2020, acrylic on canvas stretched over wood panel, 43.4 × 20 in. (110.2 × 50.8 cm)
New Normal, 2020, acrylic on canvas stretched over wood panel, 43.4 × 20 in. (110.2 × 50.8 cm)
New Normal, 2020, acrylic on canvas stretched over wood panel, 43.4 × 20 in. (110.2 × 50.8 cm)
New Normal, 2020, acrylic on canvas stretched over wood panel, 43.4 × 20 in. (110.2 × 50.8 cm)
New Normal, 2020 (detail)
New Normal, 2020 (detail)
(left) Connection, 2020, acrylic on canvas stretched over shaped wood panels, polyester rope, 35 × 28 in. (89 × 71 cm); (right) Let me talk, 2020, acrylic on canvas stretched over wood panels, metal hinge, 22.2 × 22.4 in. (56.4 × 56.9 cm)
Arghavan_individual_green room4-12 hi-res
(left) Connection, 2020, acrylic on canvas stretched over shaped wood panels, polyester rope, 35 × 28 in. (89 × 71 cm); (right) Let me talk, 2020, acrylic on canvas stretched over wood panels, metal hinge, 22.2 × 22.4 in. (56.4 × 56.9 cm)
Connection, 2020, acrylic on canvas stretched over shaped wood panels, polyester rope, 35 × 28 in. (89 × 71 cm)
Connection, 2020, acrylic on canvas stretched over shaped wood panels, polyester rope, 35 × 28 in. (89 × 71 cm)
Connection, 2020 (detail)
Connection, 2020 (detail)
(left) Smile, 2020, acrylic on found textile stretched over shaped wood panel, thread, 31.5 × 18 in. (80 × 45.7 cm); (right) Connection, 2020, acrylic on canvas stretched over shaped wood panels, polyester rope, 35 × 28 in. (89 × 71 cm)
Smile, 2020, acrylic on found textile stretched over shaped wood panel, thread, 31.5 × 18 in. (80 × 45.7 cm)
Smile, 2020, acrylic on found textile stretched over shaped wood panel, thread, 31.5 × 18 in. (80 × 45.7 cm)
Smile, 2020, acrylic on found textile stretched over shaped wood panel, thread, 31.5 × 18 in. (80 × 45.7 cm)
Smile, 2020 (detail)
Smile, 2020 (detail)
Smile, 2020 (detail)

Carl Kostyál is delighted to present an exhibition of new paintings by Iranian-born, New York-based artist Arghavan Khosravi.

“My practice is intrinsically linked to my life experiences, yet opens a space to recast memories and process paradoxes of my childhood in Tehran, and ground my perspective as an Iranian now living in the US. I was born soon after the Islamic Revolution, witnessed my country’s transformation from a Western-friendly monarchy into a suppressive theocratic republic. My paintings describe the double life I led throughout my childhood and teenage years, adhering to Islamic Law in public (ex. being forced to wear a headscarf, to pray and recite the Quran at school), while still being able to think and act freely in private.

My paintings weave multilingual narratives, combining traditional Islamic motifs (architecture, textiles and decorative objects, references to mythology and religious painting) with surrealist and contemporary visual elements. This blending of Eastern and Western imagery, past and present, religious and secular, reality and fantasy, is symbolic of the my deeply felt psychological tension. Compositionally the work draws influence from the tradition of Persian miniature painting; utilizing stacked perspective, cutaway views of architecture, bold color, rich detail, and frontal or three-quarter views of faces. I attempt to complicate the picture with contemporary messages and visual metaphors relating to themes such as freedom of expression, power dynamics between genders, suppression and identity. Another persistent theme is self-censorship, which is alluded to by imagery of veils, rope, and obscured faces.

I’m not interested in perpetuating notions of cultural exoticism and portrayals of Iranian women as victims. Rather my work is a vehicle for shifting power, validating personal storytelling and connecting to universal messages about human rights.”

Arghavan Khosravi, Artist Statement, 2019

 

BIOGRAPHY

Arghavan Khosravi (b. 1984, Tehran, Iran) lives and works in New York. She received her MFA at Rhode Island School of Design, and previously earned a BFA in Graphic Design from Tehran Azad University and an MFA in Illustration from the University of Tehran. 

Her work has been exhibited at the Orlando Museum of Art, FL; Museum of Contemporary Art, Yinchuan, China; Newport Art Museum, RI; Provincetown Art Association and Museum, MA; Rachel Uffner Gallery, New York; M+B, Los Angeles; Lyles and King, New York; Yossi Milo Gallery, New York; Fridman Gallery, New York; Asya Geisberg Gallery, New York; Morgan Lehman Gallery, New York; Super Dutchess Gallery, New York; and Stems Gallery, Brussels.

Her work is in the collection of the Rhode Island of School of Design Museum in Providence, RI; Newport Art Museum, RI; Private Collection of Rosanne Somerson, President, Rhode Island of School of Design, Providence, RI; and Recharge Foundation, New York as well as several private collections.